The words 'cute' or 'endearing' aren't exactly words one uses to describe the filmography of Paul Thomas Anderson, a director whose filmography is known for its cynical and, at times, pessimistic look at human nature. These words are also not ones I'd use to describe Adam Sandler, a man whose 'films' generally consist of a vulgar sludge of lowest brow humor that would make a caveman want to destroy any and all traces of them.

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